Midori Marsh in Requiem—Photo by Taylor Long Just before COVID, I was a Masters’ student…
Joel IvanyNovember 12, 2021
Recent Posts
Archives
- April 2024
- November 2023
- October 2023
- July 2023
- June 2023
- March 2023
- February 2023
- November 2022
- October 2022
- March 2022
- December 2021
- November 2021
- September 2021
- July 2021
- June 2021
- May 2021
- April 2021
- March 2021
- January 2021
- December 2020
- November 2020
- October 2020
- August 2020
- June 2020
- March 2020
- January 2020
- November 2019
- September 2019
- July 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- May 2018
- April 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- July 2017
- May 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- July 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
Categories
- A Little Too Cozy
- AtG in the News
- AtG's Messiah
- Auditions
- Ayre
- Banff
- Behind the scenes
- Bluebead's Castle
- Board of Directors
- Bound
- Canadian Opera Company
- Death & Desire
- Design
- Digital
- Dora Awards
- Equity
- Figaros Wedding
- Identity
- Joel Ivany
- Kopernikus
- Kyrie Kristmanson
- La Boheme
- Media Release
- Messiah/Complex
- Mozart's Requiem
- National Opera Intensive
- Opera America
- Opera Pub
- Orphee
- Performance Directions
- Press
- Sāvitri
- Summer Intensive
- The Rape of Lucretia
- Uncategorized
- Upcoming
- Video
- Volunteer