Presented live at the Marilyn and Charles Baillie Theatre May 2025.
Composer: Dinuk Wijeratne
Poet: Shauntay Grant
Cast: Elliot Madore, Baritone
Director: Joel Ivany
Production Manager: Remington North
Stage Managers: Lesley Abarquez Bradley, Tamara Vuckovic
Percussion: Nick Halley
Bass: Tyler Emond
Costume Designer: Ming Wong
Sound Engineer: Patric McGroarty
Projection Design: Cameron Davis
Lighting Design: Jason Hand
Sung in English, approximately 75 minute run time.
An artistic exploration of Self
In early June 2020, Torontonian and baritone Elliot Madore opened up on social media about his struggles with “unabashedly expressing [his] identity” as a biracial person.
Director Joel Ivany and Elliot Madore came together to find a way to present to the Canadian arts community the universal themes behind Madore’s moving Instagram post. In collaboration with genre-bending composer Dinuk Wijeratne and acclaimed poet Shauntay Grant, AtG and Madore will present a song cycle that sets new and original Canadian poetry to music that blends Western classical music with an array of musical traditions, including those from South Asia and the Middle East, as well as modern Pop and Jazz idioms.
Identity combines Western classical music with global influences and personal narratives, exploring how we choose to define ourselves. This world premiere expands upon AtG’s original 2022 Identity film project with new songs and staging.
Identity will have two performances on May 23rd and 24th, 2025 at 8:00 pm.

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Identity artwork by Just J. Art.

“Through my personal story and my strife with identity, I’ve come to realize that this is a common theme throughout society that hasn’t been fully explored: our collective and individual struggle with who we are, our identity.”
— Elliot Madore, Baritone
Cast & Creative Team



The 2021-2022 season sees Mr. Madore’s house debut in the world premiere of Giorgio Battistelli’s new opera Julius Caesar with Teatro dell’Opera di Roma, directed by Robert Carsen and conducted by Daniele Gatti. Mr. Madore will also make his role debut as Dr. Falke in Die Fledermaus with the Seiji Ozawa Music Academy in Japan. Orchestral work includes Handel’s Messiah with the US Naval Academy Orchestra and Orff’s Carmina Burana with the Santa Cruz Symphony, conducted by music director Daniel Stewart. Mr. Madore will also join the Cincinnati Conservatory of Music faculty this season, in a newly created position as a performing Associate Professor of Voice.




Jason has lit productions at several of Canada’s largest opera companies including the Canadian Opera Company & Vancouver Opera (Carmen), Edmonton Opera (The Tales of Hoffmann*). In 2014, made his American debut with Macbeth at the Minnesota Opera Company. He has worked with acclaimed directors Tim Albery (Imeneo*, Dido and Aeneas*, M’Dea Undone**), Paul Curran (The Rape of Lucretia*) and Tom Diamond (The Marriage of Figaro, Oksana G.**).
His theatre designs include productions for the Stratford Festival (The Merry Wives of Windsor, The Trespassers**), Young People’s Theatre (Mary Poppins, Blue Planet, James and the Giant Peach, Jacob Two-Two and the Hooded Fang**, Seussical), Tarragon Theatre (Hamlet, Enemy of the People, Peace River Country**, The Summoned**, Abyss**, Sequence, The Ugly One), Canadian Stage (This, The Arsonists, A Midsummer Night’s Dream, The Winter’s Tale), and the Shaw Festival (Arms and the Man), as well as Theatre Calgary, Drayton Entertainment, and the Soulpepper Theatre Company.
In 2015, Jason was invited to become the Resident Lighting Designer for Against the Grain Theatre, cementing a relationship with the company that extends from the company’s first fully-mounted production. For Joel Ivany and AtG, Jason has lit La Bohème**, Turn of the Screw*, Figaro’s Wedding**, Pelléas et Mélisande*, Death and Desire**, #UncleJohn**, AtG’s Messiah, A Little Too Cozy**, Bound, and Kopernikus*. He has also lit Ayre which has been remounted internationally.
Jason is a regular guest instructor the National Theatre School of Canada and Banff Centre for the Arts.
In 2011, Jason collaborated with director Joel Ivany and designer Camellia Koo to conceive a production of I Capuletti e i Montecchi that placed third in the biennial European Opera-Directing Prize. He has been nominated eight times for Dora Awards for Outstanding Lighting Design, and is a protégé recipient of the prestigious Siminovitch Prize in Theatre. He has won a Montreal English Theatre Award for his lighting of the NAC/Centaur co-production of The Adventures of a Black Girl in Search of God.
Jason holds a Bachelor of Fine Arts from York University. After completing his studies, Jason continued his education by working as an assistant and associate designer on over 40 major productions with noted international designers such as Thomas Hase, Max Keller, Peter van Praet & Robert Carsen, Robert Thomson, Bonnie Beecher, Michael Whitfield, and Alan Brodie.
Upcoming projects include projects at the Charlottetown Festival, Tarragon Theatre, and a new production of The Louder We Get (formerly Prom Queen the Musical) at Theatre Calgary..
Jason holds both American and Canadian citizenship, and makes his home in Toronto with his wife and his daughters.

Cameron’s work has been seen across Canada and around the world. He has worked with such theatre companies as Theatre Columbus, Theatre Panik, the Blyth Festival, Canadian Stage, Citadel Theatre, Vancouver Playhouse, and Volcano Theatre. He has toured the world with his work on Bluemouth Inc’s hit show Dance Marathon which originated at Toronto’s Worldstage and toured to the Vancouver Olympics; the Cork Midsummer Festival in Ireland; the Dance Massive Festival in Melbourne, Australia; Ten Days on the Island Tasmania, Australia; the Edinburgh Fringe Festival as part of the Traverse Theatre’s program; and the Barbican Theatre in London, UK. His work on the critically acclaimed opera Feng Yi Ting directed by Atom Egoyan has been seen on prominent stages in the USA premiering at the Spoleto Festival USA and remounted at the Lincoln Center Festival and Luminato Festival in Toronto.
Always an innovator, Cameron is constantly developing new techniques in the field of projection design, ever expanding his expertise and nurturing his unique aesthetic. This continual crafting of technique has given Cameron an impressive body of knowledge which he is happy to distill to others be it to his collaborators or in more formal settings. To this end Cameron has been teaching projection and video design in various workshops at different institutions including Upper Canada College and the University of Toronto. Most recently Cameron has been teaching video masterclasses and mentoring at the National Theatre School of Canada.

She is a 5 time Dora Mavor Moore nominee as well as a 4 time nominee for the Virginia & Myrtle Cooper Travel Award in Costume Design.

Andrew has worked as an arts administrator with such organizations as the Association for Opera in Canada and Tapestry Opera and has recently made his directorial debut with the Canadian Opera Company and Against the Grain Theatre as the Associate Director on Mozart’s Requiem. Most recently he directed the Edmonton Opera Valentine’s Day Gala which premiered on Global TV in February of 2022. Andrew currently works as the Artistic Producer for the Banff Centre Opera in the 21st Century program and is the Co-Founder of the national arts education collective Opera InReach. Andrew’s recognizable commitment to EDIJA advancement in the arts sector has made him sought after as a panellist, consultant, and outlet contributor.
This season, Andrew will assistant direct Identity: A Song Cycle with Against the Grain Theatre and Carmen with the Canadian Opera Company. Andrew is very excited to continue his journey as an opera producer through this opportunity provided by the Metcalf Foundation allowing him to work in Artistic Operations with Against the Grain Theatre.

Led by producers Liam Romalis and Jason Charters, Riddle Films is an award-winning company dedicated to capturing the worlds of the performing arts and culture and making them accessible to as broad an audience as possible. Their work has streamed, screened and aired on television, online and at film festivals around the world, including the CBC, BBC, PBS, ARTE, NHK, the Toronto International Film Festival, the Sundance Film Festival and New York’s Museum of Modern Art. With a strong belief in supporting arts organizations and artists, Riddle Films has partnered with the Royal Conservatory of Music, the Banff Centre for Arts and Creativity, the Toronto Symphony Orchestra, Toronto Summer Music, the Azrieli Music Prize and Against the Grain Theatre in addition to artists such as the Gryphon Trio, the Afiara String Quartet, Dione Taylor, Serena Ryder, Kevin Breit, the Nathaniel Dett Chorale and Danny Grossman to name but a few. Productions include the Emmy-nominated music documentary, Dreaming of a Jewish Christmas, the documentary and performance film The Group of Seven Guitars Project produced for the McMichael Canadian Art Collection, and Joel Krosnick: What to Play Next, an intimate portrait of the famed cellist as he retired after 42 years with the Juilliard String Quartet.
Production & Design
Producer
Production Manager
Stage Manager
Stage Manager
Publicist
Percussion
Bass
Sound Design
Lighting Design
Projection Design
Sound Designer (Film)
Editor (Film)
D.O.P (Film)
Producer (Film)
Producer (Film)
Meredith Potter
Remington North
Lesley Bradley
Tamara Vuckovic
Danielle Morgan PR
Nick Halley
Tyler Emond
Patric McGroarty
Jason Hand
Cameron Davis
Ben Ewing
Mako Funasaka
Kiarash Sadigh
Jason Charters
Liam Romalis
“Maybe the individual who listens to this piece is searching for something – just as we all are.”
— Dinuk Wijeratne, Composer
Media
Identity excerpt ” No. 3 Synthetic Leaves”
Identity in Conversation with Elliot, Dinuk, and Joel
Exploring Identity: Elliot Madore
Exploring Identity: Joel Ivany
“Father’s face on faded picture – unfamiliar ancestry.
Eyes I know and don’t remember.
Is this who I’m s’posed to be?”
— (Excerpt from Identity: a Song Cycle, written by Shauntay Grant)
Identity Introduction
Support New Canadian Works
Your support has helped us bring Identity to the stage.
As a small arts organization, we strive to showcase experimental works and diverse voices—and this means taking risks: creatively and financially. If you are able, please consider a donation to AtG, so that we can bring more outside-the-box operatic experiences to you and continue to provide employment opportunities to artists and artisans nationwide.

Discovering Identity
It all started with a social post.
We live in a world where everyone has a platform to share their ideas, art, philosophies, and experiences. Social media can be a beautiful tool and platform for artists to share their work and lives and connect with a broader audience.
Identity: a Song Cycle was born out of an incredibly vulnerable Instagram post by Baritone Elliot Madore. In response to the respark of the Black Lives Matter movement in 2020, Elliot posted a photo of himself and a message expressing his struggle with his identity. Upon seeing this post, AtG artistic director Joel Ivany reached out to Elliot to explore creating something that tackles this intimate and challenging subject. If it weren’t for this brave post, Identity would never have come to be.
Check out Elliot’s instagram post here.

Our Supporters
Identity’s journey has come full circle.
We are excited to share that Identity: a Song Cycles’ development is supported by the National Arts Centre’s National Creation Fund.
The Fund is a catalyst for Canadian artists to take their projects to a new level. Their investments provide the additional time and resources that bold, ambitious projects need to be successful on the national and international stage.
Their investment of $100,000 continues to support the stage adaptation with our chamber ensemble, as well as the commissioning of an orchestral version of the song cycle.
Learn more about the investment here.

Thank You
The Canada Council for the Arts
Ontario Arts Council
Arts Nova Scotia
Toronto Arts Council
TD Ready Commitment
The Azrieli Foundation





