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Identity: a Song Cycle

Presented live at the Marilyn and Charles Baillie Theatre May 2025.

Composer: Dinuk Wijeratne

Poet: Shauntay Grant

Cast: Elliot Madore, Baritone

Director: Joel Ivany

Production Manager: Remington North

Stage Managers: Lesley Abarquez Bradley, Tamara Vuckovic

Percussion: Nick Halley

Bass: Tyler Emond

Costume Designer: Ming Wong

Sound Engineer: Patric McGroarty

Projection Design: Cameron Davis

Lighting Design: Jason Hand

Sung in English, approximately 75 minute run time.

An artistic exploration of Self

In early June 2020, Torontonian and baritone Elliot Madore opened up on social media about his struggles with “unabashedly expressing [his] identity” as a biracial person.

Director Joel Ivany and Elliot Madore came together to find a way to present to the Canadian arts community the universal themes behind Madore’s moving Instagram post. In collaboration with genre-bending composer Dinuk Wijeratne and acclaimed poet Shauntay Grant, AtG and Madore will present a song cycle that sets new and original Canadian poetry to music that blends Western classical music with an array of musical traditions, including those from South Asia and the Middle East, as well as modern Pop and Jazz idioms.

Identity combines Western classical music with global influences and personal narratives, exploring how we choose to define ourselves. This world premiere expands upon AtG’s original 2022 Identity film project with new songs and staging.

Identity will have two performances on May 23rd and 24th, 2025 at 8:00 pm.

Tickets are now on sale. Click the button below to secure your seats!

Identity artwork by Just J. Art.

Tickets

“Through my personal story and my strife with identity, I’ve come to realize that this is a common theme throughout society that hasn’t been fully explored: our collective and individual struggle with who we are, our identity.”

— Elliot Madore, Baritone

Cast & Creative Team

Dinuk Wijeratne

Composer/Pianist

Sri Lankan-born Canadian Dinuk Wijeratne is a JUNO and multi-award-winning composer, pianist, and conductor who has been described by the Toronto Star as ‘an artist who reflects a positive vision of our cultural future’, and by the New York Times as ‘exuberantly creative’. His boundary-crossing work sees him equally at home in collaborations with symphony orchestras and string quartets, tabla players and DJs, and takes him to international venues as poles apart as the Berlin Philharmonie and the North Sea Jazz Festival. Dinuk was featured as a main character in 'What would Beethoven do?' - the documentary about innovation in classical music featuring Eric Whitacre, Bobby McFerrin and Ben Zander. Dinuk's music has been performed by virtually every Canadian orchestra, and he has also performed at Carnegie Hall, the Kennedy Center (Washington DC), Opera Bastille (Paris), Lincoln Center (New York), Teatro Colón (Buenos Aires), in Sri Lanka, Japan, and across the Middle East. Forthcoming collaborations include works and premieres for the Banff International String Quartet Competition, Grammy-nominated mandolinist Avi Avital, and Boston's 'A Far Cry' orchestra. Dinuk's music and collaborative work embrace the great diversity of his international background and influences.
Shauntay Grant

Poet

Shauntay Grant is an award-winning writer of poetry, plays, and poetic picture books for children. A former poet laureate for the City of Halifax, "she creates artworks that are engaging and accessible, but also challenging, rigorous, and informed by deep research" (The Royal Society of Canada). A member of The Royal Society of Canada's College of New Scholars, Artists, and Scientists, her other honours include a Joseph S. Stauffer Prize in Writing and Publishing from the Canada Council for the Arts, a Poet of Honour prize from the Canadian Festival of Spoken Word, a Robert Merritt Award for her play The Bridge (Playwrights Canada Press, 2021), and a Marilyn Baillie Picture Book Award for her children's book Africville (Groundwood, 2018). Africville was also shortlisted for the Governor General's Literary Awards. Shauntay's forthcoming poetic picture book titles include Bright Lights and Summer Nights (Penguin Random House, 2025) and Where There Is Love (Penguin Random House, 2025). Shauntay lives and works in Kjipuktuk (Halifax, Nova Scotia) where she is Associate Professor of creative writing at Dalhousie University.
Elliot Madore

Baritone

Grammy® Award-winning Canadian baritone, Elliot Madore has established himself as one of the most sought after, accomplished singers of his generation, enthralling audiences around the world with his “robust singing and take-no-prisoners acting” (The New York Times), “exquisite vocal beauty” (Opera News) and “movie star good looks” (Merkur). At just 33, Madore’s career spans the past decade, singing in major opera companies and orchestras throughout Europe, The United States and Canada.
The 2021-2022 season sees Mr. Madore’s house debut in the world premiere of Giorgio Battistelli’s new opera Julius Caesar with Teatro dell’Opera di Roma, directed by Robert Carsen and conducted by Daniele Gatti. Mr. Madore will also make his role debut as Dr. Falke in Die Fledermaus with the Seiji Ozawa Music Academy in Japan. Orchestral work includes Handel’s Messiah with the US Naval Academy Orchestra and Orff’s Carmina Burana with the Santa Cruz Symphony, conducted by music director Daniel Stewart. Mr. Madore will also join the Cincinnati Conservatory of Music faculty this season, in a newly created position as a performing Associate Professor of Voice.
Joel Ivany

Director

Joel Ivany is the Founder and Founding Artistic Director of AtG, is the artistic director of Opera at Banff Centre and was recently appointed Artistic Director at Edmonton Opera. His directing credits include productions of Verdi’s Macbeth (Minnesota Opera), Carmen (Vancouver Opera), Les Contes d’Hoffmann (Edmonton Opera), Gavin Bryars’ Marilyn Forever (Adelaide Festival) and Le nozze di Figaro (revival at Norwegian National Opera). He is the author of seven (and counting) original librettos for companies such as the Vancouver Symphony Orchestra and the Canadian Opera Company. He is a multiple Dora Mavor Moore Award nominee for Outstanding Direction as well as for Outstanding New Opera/Musical, winning one for Figaro’s Wedding. Recent mainstage directing credits include Dead Man Walking at Minnesota Opera and the multiple award-winning production of Gluck’s Orphée⁺ with Opera Columbus, AtG and Banff Centre. He has directed productions for the Canadian Opera Company (Hänsel und Gretel, Carmen), Toronto Symphony Orchestra (Mozart’s Requiem, Kurt Weill’s The Seven Deadly Sins), the Canadian Children’s Opera Company (Brundibár), Vancouver Opera (Carmen, Dead Man Walking), and Claude Vivier’s Kopernikus (AtG and Banff Centre). Recent highlights include Messiah/Complex (AtG) and directing the Governor General’s Performing Arts Awards. He is a proud graduate of the Opera School at U of T and is a member of the Alumni Wall of Fame at his alma mater, Western University.
Nick Halley

Percussion

Nick Halley is a drummer/percussionist, keyboardist, composer, and conductor based in Nova Scotia, Canada. Born in New York City, he began studying drumming and percussion at an early age with Jamey Haddad. He later majored in jazz and classical percussion at Interlochen Arts Academy in Michigan and spent a year training and performing in Brazil before attending NYC’s The New School University's jazz and contemporary music program. As a drummer and world percussionist, Nick has performed and recorded internationally with a wide range of musicians, including American music icon James Taylor, Paul Halley, Oscar Castro-Neves, Glenn Patscha, Dinuk Wijeratne, Nazih Borish, Kinan Azmeh, Joseph Petric, Roberto Occhipinti, Sandeep Das, Old Man Luedecke, Suzie LeBlanc, Chris Norman, David McGuinness & Revenge of the Folk Singers, Concerto Caledonia, and Viradouro Escola de Samba. In 2008, he released his debut recording, Barnum Hill, featuring his own compositions performed by Matt Brewer, Adam Niewood, and other rising jazz artists, produced by Tom Bates.
Tyler Emond

Bass

Tyler Emond is an acclaimed bassist, composer, and record producer based in Toronto. His career has covered jazz, classical, baroque, Arabic maqam, pop, experimental electronica, and more. He has served as a musical director, composer and arranger for FabCollab’s Women in Song, The Scarborough Philharmonic, One Little Goat Theatre, & Spectrum Music. As a bassist he has performed with Kevin Breit, Sundar Viswanathan’s Avataar, Alessia Cara, Hiromi, Ahmed Moneka, Marito Marques, Fethi Nadjem, Mark Kelso’s Jazz Exiles, Randy Brecker, Selcuk Suna, Tyler Shaw, Matt Dusk, Charbel Rouhana, Dave Douglas, Naseer Shamma, Elmer Ferrer, and his own groups Tennis Partner & Hush. As a record producer he has produced/engineered/mixed albums for Selcuk Suna (The Space Between), Ahmed Moneka (JUNO nominated - Kanzafula), Tamar Ilana & Ventanas (Azadi), Tennis Partner (Johnny’s New Nose Job, Free Clothes and Life Cycles), Tara Moneka (Madina), Kune (Canadian Folk Music Award Winner - Universal Echoes), Melissa Lauren (My Voice), and Hush (Pull the Sky).
Jason Hand

Lighting Designer

Jason is a Toronto-based designer working in theatre and opera. He has built a reputation for developing innovative lighting designs for site-specific productions with Against the Grain and Tapestry New Opera. His passion is creating the lighting for large-scale musicals and operas, and for new works.

Jason has lit productions at several of Canada’s largest opera companies including the Canadian Opera Company & Vancouver Opera (Carmen), Edmonton Opera (The Tales of Hoffmann*). In 2014, made his American debut with Macbeth at the Minnesota Opera Company. He has worked with acclaimed directors Tim Albery (Imeneo*, Dido and Aeneas*, M’Dea Undone**), Paul Curran (The Rape of Lucretia*) and Tom Diamond (The Marriage of Figaro, Oksana G.**).

His theatre designs include productions for the Stratford Festival (The Merry Wives of Windsor, The Trespassers**), Young People’s Theatre (Mary Poppins, Blue Planet, James and the Giant Peach, Jacob Two-Two and the Hooded Fang**, Seussical), Tarragon Theatre (Hamlet, Enemy of the People, Peace River Country**, The Summoned**, Abyss**, Sequence, The Ugly One), Canadian Stage (This, The Arsonists, A Midsummer Night’s Dream, The Winter’s Tale), and the Shaw Festival (Arms and the Man), as well as Theatre Calgary, Drayton Entertainment, and the Soulpepper Theatre Company.

In 2015, Jason was invited to become the Resident Lighting Designer for Against the Grain Theatre, cementing a relationship with the company that extends from the company’s first fully-mounted production. For Joel Ivany and AtG, Jason has lit La Bohème**, Turn of the Screw*, Figaro’s Wedding**, Pelléas et Mélisande*, Death and Desire**, #UncleJohn**, AtG’s Messiah, A Little Too Cozy**, Bound, and Kopernikus*. He has also lit Ayre which has been remounted internationally.

Jason is a regular guest instructor the National Theatre School of Canada and Banff Centre for the Arts.

In 2011, Jason collaborated with director Joel Ivany and designer Camellia Koo to conceive a production of I Capuletti e i Montecchi that placed third in the biennial European Opera-Directing Prize. He has been nominated eight times for Dora Awards for Outstanding Lighting Design, and is a protégé recipient of the prestigious Siminovitch Prize in Theatre. He has won a Montreal English Theatre Award for his lighting of the NAC/Centaur co-production of The Adventures of a Black Girl in Search of God.

Jason holds a Bachelor of Fine Arts from York University. After completing his studies, Jason continued his education by working as an assistant and associate designer on over 40 major productions with noted international designers such as Thomas Hase, Max Keller, Peter van Praet & Robert Carsen, Robert Thomson, Bonnie Beecher, Michael Whitfield, and Alan Brodie.

Upcoming projects include projects at the Charlottetown Festival, Tarragon Theatre, and a new production of The Louder We Get (formerly Prom Queen the Musical) at Theatre Calgary..

Jason holds both American and Canadian citizenship, and makes his home in Toronto with his wife and his daughters.

Cameron Davis

Projection Designer

Cameron Davis began his career as a projection and video designer while studying drama and history at the University of Toronto. It was here that he began working with renowned filmmaker Atom Egoyan. Beginning as a teaching and technical assistant to Egoyan’s class, Cameron soon proved his worth and their relationship blossomed as Cameron began working with Egoyan on various projects including Egoyan’s installation AURORAS for the inaugural Luminato Festival and his feature film Adoration. Upon graduating with a Bachelor of Arts in 2008 Cameron promptly began working professionally as a projection designer with Theatre Panik’s production of My Name is Rachel Corrie in Toronto.

Cameron’s work has been seen across Canada and around the world. He has worked with such theatre companies as Theatre Columbus, Theatre Panik, the Blyth Festival, Canadian Stage, Citadel Theatre, Vancouver Playhouse, and Volcano Theatre. He has toured the world with his work on Bluemouth Inc’s hit show Dance Marathon which originated at Toronto’s Worldstage and toured to the Vancouver Olympics; the Cork Midsummer Festival in Ireland; the Dance Massive Festival in Melbourne, Australia; Ten Days on the Island Tasmania, Australia; the Edinburgh Fringe Festival as part of the Traverse Theatre’s program; and the Barbican Theatre in London, UK. His work on the critically acclaimed opera Feng Yi Ting directed by Atom Egoyan has been seen on prominent stages in the USA premiering at the Spoleto Festival USA and remounted at the Lincoln Center Festival and Luminato Festival in Toronto.

Always an innovator, Cameron is constantly developing new techniques in the field of projection design, ever expanding his expertise and nurturing his unique aesthetic. This continual crafting of technique has given Cameron an impressive body of knowledge which he is happy to distill to others be it to his collaborators or in more formal settings. To this end Cameron has been teaching projection and video design in various workshops at different institutions including Upper Canada College and the University of Toronto. Most recently Cameron has been teaching video masterclasses and mentoring at the National Theatre School of Canada.

Ming Wong

Wardrobe

Ming is a Toronto costume designer, stylist, and wardrobe technician. She has worked on a variety of projects ranging from dance & theatre to film & television. She has designed across the city and beyond for companies such as the Canadian Opera Company, Citadel Theatre, Canadian Stage, Crow’s Theatre, Nightwood Theatre, Factory Theatre, Obsidian Theatre, and Modern Times Stage Company.

She is a 5 time Dora Mavor Moore nominee as well as a 4 time nominee for the Virginia & Myrtle Cooper Travel Award in Costume Design.

Andrew Adridge

Associate Director (Film)

Andrew Adridge (he/him) is a multidisciplinary artist and opera producer based in Toronto with a passion for equity and industry reform. He is a graduate of the University of Toronto holding both a Bachelor of Music Performance in Voice and a Master of Music in Opera. He has been featured as an ensemble soloist both at the Four Seasons Centre for the Performing Arts in Toronto and the Kennedy Centre in Washington, D.C. Andrew has participated in several young artist programs including The Chautauqua Institution Voice Program, and the Banff Opera program. Andrew is an avid writer having contributed to both Opera Canada and Ludwig Van Toronto and continues his pursuits through his personal blog and through spoken word bringing to light issues around artistry, identity, and race.
Andrew has worked as an arts administrator with such organizations as the Association for Opera in Canada and Tapestry Opera and has recently made his directorial debut with the Canadian Opera Company and Against the Grain Theatre as the Associate Director on Mozart’s Requiem. Most recently he directed the Edmonton Opera Valentine’s Day Gala which premiered on Global TV in February of 2022. Andrew currently works as the Artistic Producer for the Banff Centre Opera in the 21st Century program and is the Co-Founder of the national arts education collective Opera InReach. Andrew’s recognizable commitment to EDIJA advancement in the arts sector has made him sought after as a panellist, consultant, and outlet contributor.
This season, Andrew will assistant direct Identity: A Song Cycle with Against the Grain Theatre and Carmen with the Canadian Opera Company. Andrew is very excited to continue his journey as an opera producer through this opportunity provided by the Metcalf Foundation allowing him to work in Artistic Operations with Against the Grain Theatre.
Riddle Films

Producer (Film)

Riddle Films

Led by producers Liam Romalis and Jason Charters, Riddle Films is an award-winning company dedicated to capturing the worlds of the performing arts and culture and making them accessible to as broad an audience as possible. Their work has streamed, screened and aired on television, online and at film festivals around the world, including the CBC, BBC, PBS, ARTE, NHK, the Toronto International Film Festival, the Sundance Film Festival and New York’s Museum of Modern Art. With a strong belief in supporting arts organizations and artists, Riddle Films has partnered with the Royal Conservatory of Music, the Banff Centre for Arts and Creativity, the Toronto Symphony Orchestra, Toronto Summer Music, the Azrieli Music Prize and Against the Grain Theatre in addition to artists such as the Gryphon Trio, the Afiara String Quartet, Dione Taylor, Serena Ryder, Kevin Breit, the Nathaniel Dett Chorale and Danny Grossman to name but a few. Productions include the Emmy-nominated music documentary, Dreaming of a Jewish Christmas, the documentary and performance film The Group of Seven Guitars Project produced for the McMichael Canadian Art Collection, and Joel Krosnick: What to Play Next, an intimate portrait of the famed cellist as he retired after 42 years with the Juilliard String Quartet.

Production & Design

Producer

Production Manager

Stage Manager

Stage Manager

Publicist

Percussion

Bass

Sound Design

Lighting Design

Projection Design

Sound Designer (Film)

Editor (Film)

D.O.P (Film)

Producer (Film)

Producer (Film)

Meredith Potter 

Remington North

Lesley Bradley

Tamara Vuckovic

Danielle Morgan PR

Nick Halley

Tyler Emond 

Patric McGroarty

Jason Hand

Cameron Davis

Ben Ewing

Mako Funasaka

Kiarash Sadigh

Jason Charters

Liam Romalis

“Maybe the individual who listens to this piece is searching for something – just as we all are.”

— Dinuk Wijeratne, Composer

Media

Identity excerpt ” No. 3 Synthetic Leaves”

Identity in Conversation with Elliot, Dinuk, and Joel

Exploring Identity: Elliot Madore

Exploring Identity: Joel Ivany

“Father’s face on faded picture – unfamiliar ancestry.
Eyes I know and don’t remember.
Is this who I’m s’posed to be?”

— (Excerpt from Identity: a Song Cycle, written by Shauntay Grant)

Identity: a Song Cycle Lyrics

Identity Introduction

Support New Canadian Works

Your support has helped us bring Identity to the stage.

As a small arts organization, we strive to showcase experimental works and diverse voices—and this means taking risks: creatively and financially. If you are able, please consider a donation to AtG, so that we can bring more outside-the-box operatic experiences to you and continue to provide employment opportunities to artists and artisans nationwide.

Donate

Discovering Identity

It all started with a social post.

We live in a world where everyone has a platform to share their ideas, art, philosophies, and experiences. Social media can be a beautiful tool and platform for artists to share their work and lives and connect with a broader audience.

Identity: a Song Cycle was born out of an incredibly vulnerable Instagram post by Baritone Elliot Madore. In response to the respark of the Black Lives Matter movement in 2020, Elliot posted a photo of himself and a message expressing his struggle with his identity. Upon seeing this post, AtG artistic director Joel Ivany reached out to Elliot to explore creating something that tackles this intimate and challenging subject. If it weren’t for this brave post, Identity would never have come to be.

Check out Elliot’s instagram post here.

Our Supporters

Identity’s journey has come full circle.

We are excited to share that Identity: a Song Cycles’ development is supported by the National Arts Centre’s National Creation Fund.

The Fund is a catalyst for Canadian artists to take their projects to a new level.  Their investments provide the additional time and resources that bold, ambitious projects need to be successful on the national and international stage.

Their investment of $100,000 continues to support the stage adaptation with our chamber ensemble, as well as the commissioning of an orchestral version of the song cycle.

Learn more about the investment here.

Logo for the National Arts Centre
Thank You
The Canada Council for the Arts
Ontario Arts Council
Arts Nova Scotia
Toronto Arts Council
TD Ready Commitment
The Azrieli Foundation
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