Marc Chalifoux, Chair
Simion Candrea, Treasurer
Marzena Gersho, Secretary
Amy Burstyn Fritz
Joel Ivany, ex-officio
Robin Whiffen, ex-officio
Board of Directors
Marc Chalifoux, Chair
Marc is Associate Vice President of Digital Performance where he oversees digital sales and servicing for TD’s largest business lines. He has had an eclectic career path that spans the private, public and non-profit sectors in both Canada and the US. He holds an MBA for MIT Sloan School of Management in Boston. Marc’s sole artistic talent is as an audience member and he pursues it passionately. After being blown away by Orphée+, he reached out to Against the Grain offering to help out. He joined the Board of Directors in January 2019 and became Chair in March 2020 at the height of the COVID-19 crisis. He enjoys great art and overcoming adversity.
Joel Ivany is the Founder and Artistic Director of AtG, and is the artistic director of Opera at Banff Centre. His directing credits include productions of Verdi’s Macbeth (Minnesota Opera), Carmen (Vancouver Opera), Les Contes d’Hoffmann (Edmonton Opera), Gavin Bryars’ Marilyn Forever (Adelaide Festival) and Le nozze di Figaro (revival at Norwegian National Opera). He is the author of seven (and counting) original librettos for companies such as the Vancouver Symphony Orchestra and the Canadian Opera Company. He was a multiple Dora Mavor Moore Award nominee for Outstanding Direction and has also been nominated for multiple Dora Awards for Outstanding New Opera/Musical, winning one for Figaro’s Wedding. Recent mainstage directing credits include Dead Man Walking at Minnesota Opera and the multiple award-winning production of Gluck’s Orphée⁺ with Opera Columbus, AtG and Banff Centre. He has directed productions for the Canadian Opera Company (Carmen), Toronto Symphony Orchestra (Mozart’s Requiem, Kurt Weill’s The Seven Deadly Sins), the Canadian Children’s Opera Company (Brundibár), Vancouver Opera (Carmen, Dead Man Walking), and Claude Vivier’s Kopernikus (AtG and Banff Centre). Upcoming directing credits include new productions of Figaro’s Wedding (AtG), Hänsel und Gretel (Canadian Opera Company) and Candide (Edmonton Opera). He is a proud graduate of the Opera School at U of T and is a member of the Alumni Wall of Fame at his alma mater, Western University.
An arts administrator and performer from St. John’s, Newfoundland, Robin Whiffen spent three seasons with Opera on the Avalon, most recently in the role of General Manager, before joining AtG as the company's first Executive Director. Inspired by a lifelong love of music, Robin is passionate about creating meaningful collaborative partnerships within the arts community, allowing audiences to see their full potential reflected through opera. Robin is a Master of Business Administration candidate at Memorial University of Newfoundland and holds a Bachelor of Music in voice performance from The University of Toronto. In 2021, she was selected to participate in the Business/Arts Executive Leadership Program and in 2017, she represented the Association for Opera in Canada at the OPERA America Leadership Intensive in New York City. Robin has been invited to speak worldwide in her capacity as an arts administrator and advocate of the operatic art form. When not working, Robin can be found managing her dog’s instagram account and drinking a lot of coffee.
Juno nominated artist Miriam Khalil has appeared on numerous opera stages across Canada and Europe, including a stint at the renowned Glyndebourne Festival Opera (GFO) in the United Kingdom. An alumna of the Canadian Opera Company Ensemble Studio, she won first place in the Metropolitan Opera National Council Auditions (Great Lakes Region) and subsequently appeared in the 2007 documentary The Audition. Her performance credits include Glyndebourne Festival Opera, Canadian Opera Company, Minnesota Opera, Opera Tampa, Fargo-Moorhead Opera, Opera Hamilton, Against the Grain Theatre (AtG), Edmonton Opera, Pacific Opera Victoria, Opera Lyra Ottawa, and prominent orchestras across Canada, in roles such as Mimì (La bohème), Mélisande (Pelléas et Mélisande), Governess (The Turn of the Screw), Susanna (Le nozze di Figaro), Donna Elvira (Don Giovanni), Cleopatra (Giulio Cesare), Almirena (Rinaldo), and the title role in Alcina. Ms. Khalil’s 2020/21 season includes appearances as Mimì in La bohème with Edmonton Opera, recitals with Music in the Morning, Concerts in Banff and Rockport and Strauss’ Four Last Songs with Thunder Bay Symphony Orchestra.
Kendra Miller is an arts administrator and creative based in Toronto. She is a graduate of Humber College’s Arts Administration and Cultural Management postgraduate program, and holds a BA from Western University where she studied Popular Music and Gender Studies. After interning at ArtsPond as Associate Producer, Kendra first joined AtG in May 2020 in the role of Artistic Operations intern. As a singer-songwriter and producer, she has self-released three indie pop EPs. Kendra is an advocate for the importance of the arts in all its diverse aspects, and is passionate about bringing an equity-focused lens to the Canadian arts and culture sector.
Born and raised in Manila, Filipino Mezzo-soprano Renee Fajardo has performed on both the opera stage and as a solo recitalist in the Philippines, the UK, Europe and Canada.
Winner of the Metcalf Performing Arts Grant, Renee is thrilled to join AtG this season as a
Producing Intern. In this new role, she will further her commitment to building a more equitable, diverse and justice-facing industry for all historically-underrepresented identities in opera.
Equally passionate about performance and off-stage creative practice, Renee sings with the Nathaniel Dett Chorale, and is a mentor and provincial coordinator for Opera InReach where she co-develops supplementary opera curriculum materials for highschool students through the lens of equity, diversity and inclusivity. She also volunteers as an Institutional Giving intern with Boulanger Initiative, working on funding opportunities to support and advocate for works composed by women and marginalized gender composers.
As a settler of Filipino heritage, she is grateful to be currently based in T’karonto (Toronto), the traditional territory of the Mississaugas of the Credit, the Anishnabeg, the Chippewa, the Haudenosaunee and the Wendat peoples; currently home to many diverse First Nations, Inuit and Métis peoples.
Renee recently completed her Masters in Opera Performance from the University of Toronto, and holds a first-class Bachelor of Music degree from the Guildhall School of Music and Drama.